Hand strings, which are derived from beaded beads and bracelets, have evolved into a collection of decorations, play, and appreciation. Beading is first used in neckwear and is usually made up of perforated ornaments. In the modern bracelets, due to the evolution of material sources and social trends, there are more than 20 kinds of stringing materials that are more common. The author recently saw Hainan Huanghuali, Xiaoyehu, and Agarwood in the Dongfang Redwood Furniture Art Museum. All kinds of bracelets made of sandalwood and other materials are really dazzling.
From the point of view of collection, bracelets can be judged as the main value from the two aspects of material technology and art culture. For precious materials, such as jade, jade, amber, agate, etc., there are grades of materials, and the appreciation of the level also directly affects the judgment of value. Therefore, distinguishing the authenticity level is an extremely important collection basis. In particular, in addition to identifying the species, the collection of rare wood refined bracelets should also be concentrated in cultural and artistic values, such as styling style, craftsmanship, design and production, etc., which are important aspects to enhance the value of hand-collected collection.
In the traditional aesthetic of China, the relationship between the production process and the material has the basic rules to follow, that is, the high-grade materials adopt high-grade technology, while the low-grade materials are relatively simple. Therefore, as a high-grade ornament, string ornaments are rarely used in ancient China, and collectors' choices are mostly concentrated on fine materials. It should be pointed out that the production of wood and tree material bracelets is mostly combined with the engraving process, and the value is also more emphasis on the fineness of the production process. In addition to the traditional Buddhist heads, Buddhist scriptures and other Buddhist themes, there are also secular themes such as boys and ladies, which add more humanistic pleasure to appreciation and play.
Nowadays, talking about the topic related to decoration is all related to the time and beauty. As a result, in addition to the traditional collections and the players, there are a large number of young people who wear bracelets as fashion. These young people have broken many traditional materials and crafts aesthetics when appreciating the bracelets, and the hand-series jewelry is used as a description of the personality and identity of the clothing, paying more attention to the special features of the bracelet material and the craftsmanship, thus forming a brand new Hand string appreciation concept.
Of course, the use, production and aesthetics of ancient Chinese decorative objects have a direct impact on the traditional hand-string aesthetics. This kind of objective spirit that transcends time and space allows the owner of the object of love, the appreciation of the string and the subtleties of the emotion, and the taste of the collector can be truly and deeply realized.
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