The best background in the history of fashion shows has been the view of the TOP floor of New York’s 7th World Trade Center—not only the view of New York’s nightscape; in this space, time does not exist, and people forget that they are in the end. Yesterday, today, or tomorrow, the beauty of luxury is hard to match with any outfit. John Varvatos's latest outfits are the most worthwhile styles, such as the bright and tailor-fitting pony Jacket, the leather-trimmed pin-striped jacket, and the washed old double-breasted fleece jacket. Not only did the stereotyped design fade away here; a gray tuxedo with a light brown satin lapel was definitely worth winning.
John Varvatos's New York-style mix and match personality, the traditional classic material after special treatment, deliberately creating a faded texture, classical tailoring, coupled with interesting design, which skillfully blended skills have to be convincing. Unfortunately, if he could use Yohji Yamamoto's precise use of “old bluesmen†music, he could successfully warm up the powerful manhood in his clothes; perhaps these young male models of John Varvatos could excite them with the impact of notes. The guilty jewel of the guilty and jeweled man in the heart!
Varvatos, who is waving the peace sign image with the Statue of Liberty as the backdrop for the end of the catwalk, seems to want to summon university students with extreme political enthusiasm and is willing to be the best spokesperson for his series of college/punk mashups. In addition, Varvatos wore a black wig, suggesting that he also wanted rock singers Jesse Malin and Velvet Revolver to put his clothes on; this time the designer became a fan of the idea, and it would be another one for him to recreate. The new indicator of the peak of popularity.
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