Cultural heritage helps manual nuclear carving survive against the market
With the increasing activity of the wenwan market and the gradual prosperity of the olive-carved market, the development of nuclear sculpture faces enormous challenges, such as the technological innovation brought about by the emergence of machine carving and the market aesthetic fatigue brought about by the infinite repetition of traditional themes. These problems have had a great impact on the development of the olive nucleus. So how do nuclear savvy masters view these issues?
For the technological innovation brought about by machine engraving, Zhou Jianming, a famous master of Zhoushan nuclear sculpture and president of China Nuclear Sculpture Art Research Institute and senior craft artist of Jiangsu Province, said: "These problems will not affect my creation, and many hand-carved creators. In terms of it, it doesn't have much impact. The main reason is that the basic technology of nuclear carving, technically, the machine can do it, but in terms of details, the machine carving is far behind the delicate degree of hand-carving. Nowadays, there are many people who are hand-carved by machine. The machine is helpful for improving work efficiency, but it is impossible to completely replace manual carving."
Regarding the market aesthetic fatigue brought about by the infinite repetition of traditional themes, Liu Xiangqian, one of the founders of Dongyang Nuclear Sculpture and one of the representatives of the Zhepai ​​nuclear sculpture, believes that “the subject innovation is a process that must be experienced in the development of nuclear sculpture art, but not all The culture is suitable for the nuclear carving platform, and not all cultures need nuclear carving platform to spread. Compared with the current popular culture, our traditional cultural communication channels are very rare, only such a handful Forms, and nuclear carving, a form of entertaining and learning, is an important channel for the spread of traditional culture."
Liu Xiang presided over the exploration of fresh content from Chinese traditional culture to create, and let the nuclear carving play a greater role in the inheritance and development of Chinese traditional culture. At the same time, Liu Xiangqian also stressed that the nuclear carving process has been rooted in the traditional Chinese culture from the very beginning. This is also the deep cultural heritage of the nuclear carving process. If such a profound cultural heritage is lost, the nuclear carving art will be lost. Its meaning.
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